Photography by Christian Capurro, courtesy of Sullivan+Strumpf.
       
     
 Installation view of  2024 MECCA Holiday Collaboration: Natalya Hughes.  Photographed by Garry Sommerfeld.
       
     
  Installation view of ‘Natalya Hughes: The Castle of Tarragindi’, Children’s Art Centre, Gallery of Modern Art, Brisbane, September 2023 / Photograph: C Callistemon © QAGOMA
       
     
 Natalya Hughes,  These Girls of the Studio,  Sullivan and Strumpf, Sydney , 2022,  installation detail. Photographer: Simon Hewson
       
     
 Natalya Hughes,  The Interior  2022, Installation view. Photographer Charlie Hillhouse
       
     
 Natalya Hughes The Woman Is In The Landscape Installation
       
     
  Silent Conversation  (01), 2020, acrylic and vintage appropriate fabric on canvas board; 20.2x25.5 cm. Photographer: Aaron Anderson.
       
     
  Bathers in the Pump Room,  HOTA Terrace Billboard Commission, Surfers Paradise, 2019, banner, 1.5 x 9 metres. Photographer:  Remco Photography
       
     
  Woody , installation detail, The Garage, Canberra, 2015. Photography:  Nicholas Aloisio-Shearer.
       
     
  The After Party,  installation detail, QAGOMA’s ‘Contemporary Australia: Women’ exhibition, Brisbane, 2012. Photography: Natasha Hearth, courtesy of QAGOMA.
       
     
  Panic Room,  installation detail, Hazlehurst Regional Gallery, 12 Dec 2016- 7 Feb 2017. Photography:  Silversalt Photography
       
     
  Girls Girls Girls!  , installation detail, Firstdraft Sydney, 2015. Photographer:  Jek Maurer
       
     
       
     
  Bachelor’s Pads  (installation detail), Alaska Projects, 7-18 May, 2014. Photographs by  Jessica Maurer .
       
     
  Looking Full  (installation detail), Beam Contemporary, Melbourne. 22 March -  22 April, 2013. Photographs by Jake Walker.
       
     
  Significant Men , installation detail, Milani Gallery, Brisbane, 2012. Photography: Carl Warner.
       
     
  Party Pooper  at DB, Sydney, 2011. Photographs by Craig Bender.
       
     
  Slap & Tickly,  2006, oil on linen, 120 x 174 cm. Photography: Paul Knight.